Altogether, these results suggest that a substantial portion of people’s judgements of the accuracy of news reflects motivational factors. A non-financial accuracy motivation intervention was also effective, suggesting that motivation-based interventions are scalable. Replicating prior work, conservatives were less accurate at discerning true from false headlines than liberals, yet incentives closed the gap in accuracy between conservatives and liberals by 52%. Incentivizing people to identify news that would be liked by their political allies, however, decreased accuracy. Financial incentives improved accuracy and reduced partisan bias in judgements of headlines by about 30%, primarily by increasing the perceived accuracy of true news from the opposing party ( d = 0.47). Here, across four experiments ( n = 3,364), we motivated US participants to be accurate by providing financial incentives for correct responses about the veracity of true and false political news headlines. M.F.A.The extent to which belief in (mis)information reflects lack of knowledge versus a lack of motivation to be accurate is unclear.

Artist's Education: Hongik University.

The apparition of these faces in the crowd

He is like Ezra Pound, the poet who worked and lived at the end of a century. Lee, Jae Sam, the recluse of moonlight or the master of darkness. The audience is caught up in the history of the night when we stand in front of the Lee’s work. While people of modern day try to reach to the very center of desire by digging in the material of the present, Lee focuses on the fading night and the history of darkness. Lee is trying to capture the moonlight because of the nostalgic feeling. The moon is also the rustic lover and the first love, which faded away with age. It is the true nature of longing and the face of the rear.

The moon is the oldest mirror in human history. What he is drawing is the moonlight which shows up after everything-the mountain, field, tree, and flower- has vanished. After everything disappeared, he can finally meet the light. He takes a walk tracing the thread of cotton cloth and canvas to find the center of deep sleep, one’s dark inside, vertiginous abyss, and the other face of unknown streets. He is in the middle of the night every day. He opened a number of charcoal boxes and withdraws lights to cast a shadow of the jet-black night on the canvas.

He has been painting the night for a long time ago.

True nature jae